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Pop Culture Happy Hour #161: Captain Phillips and What's Making Us Cry

Chris Klimek

Naturally I thought of a theory about why one of the songs I mentioned affects me so profoundly as soon as producer Nick Fountain turned off the mics in NPR's Studio 46 and episode #161 of Pop Culture Happy Hour -- on which I was honored to be a guest -- wrapped. But fortunately for you, dear listener, the three full-time panelists on this weeks's show -- Linda Holmes, Stephen Thompson, and Trey Graham -- were all on top of their games. Their usual fourth man, my pal-for-life Glen Weldon, was on top of a raft or something, vacationing in Grand Cayman.

You can hear the episode in web browser here or download it from iTunes here

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Nostalgia Trip: G.I. JOE: A REAL AMERICAN HERO! #49

Chris Klimek

 

This is the first comic book I ever bought, from one of those HEY KIDS! COMICS! spinner racks in a 7-Eleven somewhere on the south side of Chicago. I think I had stepped out from some kind of an event for a distant relative. I was very young.

Anyway, I found it again in a Midtown Manhattan comics shop this weekend. When I pointed it out to my girlfriend, she said she wanted to buy it for me. A sweet gesture, especially considering the price tag of $6 -- 800 percent what I paid for my long-lost copy in what the indicia at the bottom of page one tells me was 1986. Some of the best comics ever published came out that year: Watchmen, MAUS, The Dark Knight Returns, Love & Rockets, etc., etc. I wouldn't find that out about those until later. They didn't sell those comics in 7-Elevens.The Rosetta Stone of my worldview. 1986.

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Captain Phillips And The Terrible Excitement Of Real Action

Chris Klimek

Captain Phillips, the seemingly little-embellished new thriller based on a 2009 hijacking at sea, got me thinking about what sort of responsibilities filmmakers have -- and we as audiences have -- when approaching a compressed a dramatized account of true events. You can read that piece over at Monkey See today.

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What Gravity Should've Learned from ALIENS

Chris Klimek

Admittedly, ALIENS is a film I've loved unconditionally since I was a kid. I need very little prompting to think about it, and only a little more prompting than that to write about it. But a deleted scene from that 27-year-old movie highlights what is, to me, the sole flaw in Alfonso Curaon's still-fantastic new space movie Gravity, and how audience expectations have changed in the generation since ALIENS. This is the subject of my first piece for Slate, which you can read here.

This Was Supposed to Be the New World: Theater J's After the Revolution and Woolly Mammoth's Detroit, reviewed

Chris Klimek

Nancy Robinette & Megan Anderson in After the Revolution. Photo: Stan Barouh/Theater J. 

Nancy Robinette & Megan Anderson in After the Revolution. Photo: Stan Barouh/Theater J. 

I was a bigger fan of Studio Theatre's production of Amy Herzog's 4,000 Miles earlier this year than I am of Theater J's new staging of its companion play, After the Revolution.

I can't fault director Eleanor Holdridge's staging of the latter for that; I just connected more strongly to the material in 4,000 Miles. Getting to see two marvelous actors, Tanya Hicken and Nancy Robinette, offer their takes on the same character -- a close approximation of Herzog's grandmother -- in 4,000 Miles and Revolution, respectively, within a half-year of each other was fun.

I review After the Revolution in today's Washington City Paper, along with Woolly Mammoth's production of Lisa D'Amour's Detroit, which is a nice showcase for some of Woolly's favorite actors -- and mine, too.

 

When Iron Man Ate Superman's Lunch: Summer movies, autopsied.

Chris Klimek

My summer movie autopsy is up on the Village Voice site today. Please enjoy at your leisure, now that Labor Day is past and you don't have to look out overhead for the computer-generated debris from collapsing skyscrapers.

I also have a couple of short film reviews up on the Voice today, of the documentary Herb & Dorothy 50 x 50 and the the romantic drama And While We Were Here.