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The assembled Kurosawas of Akira Kurosawa Explains. Creator Julia Izumi is on the right. (Cameron Whitman)
Did playwright/performer Julia Izumi really create a show about or at least named after Akira Kurosawa having seen only one of the legendary filmmaker's 30 movies?
I saw it, and I'm still not sure. For the Washington Post.
Sawyer Smith is Singature’s new Hedwig. (Daniel Rader)
I reviewed Signature Theatre’s new revival of Hedwig and the Angry Inch. It’s the whole nine yards! 324 angry inches! Check my math!
Sun’s out, guns out. Jon Bernthal and Ben Affleck shoot ‘em up.
A vestigial tale to an 8.5-year-old movie where Ben Affleck plays an autistic book-cooker and throat-puncher. That’s The Accountant 2.
Lizan Mitchell and Khalia Muhammad (Chris Banks)
My review of Erika Dickerson-Despenza’s Blackburn Prize-winning play following a family through the Flint, MI water emergency is here.
In Warfare, D’Pharaoh Woon-A-Tai (center) plays Navy SEAL Ray Mendoza, one the film’s co-directors. (A24)
My review of Ray Mendoza and Alex Garland’s extraordinary film Warfare is here.
Hannah Einbinder and Jean Smart are not getting along this well at beginning of Hacks’ new season. (Max)
I’m not usually a TV critic, but there’s a first time for every dang thing. My Washington Post review of the fourth season of Hacks is here.
What drag, this unicorn death. My review is in your Washington City Paper.
I miss when David Ayer made real movies. My Village Voice review of Sabotage from 2013 is lost to time, but my NPR pieces on Ayer’s Fury, Suicide Squad, and Bright are all readily available. It’s a bummer that the guy who wrote Training Day and wrote and directed End of Watch is now doing shlock like A Working Man — which I reviewed in your Washington Post.
