Mourning Edition: Edgar and Annabel, reviewed.
Chris Klimek
Maboud Ebrahimzadeh & Emily Kester. (Igor Dmitry)
The short version of my Washington City Paper review of Sam Holcroft's Edgar and Annabel, now getting its U.S. premiere in a Studio Theatre production directed by the great actor Holly Twyford, is that you have to see it. It synthesizes about a half dozen well-chosen curated cinematic influences while remaining resolutely its own thing.