How Men Crumbled: Arena’s "Kleptocracy" and Ford’s "Twelve Angry Men," reviewed.
Chris Klimek
Something old, something new, something borrowed, something... something. In this week's Washington City Paper, I review Kleptocracy, an imperfect but intriguing Vladimir Putin origin story by Kenneth Lin at Arena Stage, starring the guy in the cast who looks the second-most Putinlike as Putin. Plus a puzzling new production of Twelve Angry Men at Ford's.