Summer of '82: "The Future Was Now," reviewed.

Walter Koenig and Paul Winfield on the set of Star Trek II: The Wrath of Khan, part of the genre Class of ‘82.

If you’re a certain kind of cinephile, you probably know a few things with the rote force of scripture: That Conan — the barbarian, not the talk show host — philosophized about what is best in life. That E.T. phoned home. That Spock sacrificed himself to save the crew of the starship Enterprise. That patricidal “replicant” Roy Batty, in the final moments of his own brief life, eulogized his vanishing memories as “tears in rain.”

My Washington Post review of Chris Nashawaty’s The Future Was Now: Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982 is here.

Pop Culture Happy Hour: "Star Trek: Strange New Worlds"

I don’t always Star Trek, but when I do, I prefer Strange New Worlds! No Starfleet Captain should spend this much time on their hair.

Pop Culture Happy Hour: "Star Trek: Lower Decks"

Lower Decks, the latest Star Trek spinoff, is meant to show us the crew members who work the shit jobs on a Federation starship. (CBS All Access)

It’s been nine months since last I joined a PCHH panel, and they’ve been dog months. In that span I’ve bought myself a pricey new microphone, had knee surgery, run zero point zero miles, and watched in impotent rage as a global pandemic has slain hundreds of thousands of Americans who might still be with us had responsible adults been in charge when the plague hit. Police officers murdered George Floyd and Breonna Taylor, millions took to the streets (I was still too weak to do that back in May and June) to protest police violence against persons of color, and my beloved hometown of Washington, DC was invaded by the U.S. military.

Dog months. And all without the outlets of running or boxing, the strategies I have relied upon to exorcize corrosive feelings since I was a kid. I got a bicycle at the end of June, and the increasingly long rides to which I’ve been treating myself have helped.

Anyway, Pop Culture Happy Hour! And a new Star Trek series, which is both animated and fluid-rich (blood, bile… alien vomit.)

Lower Decks is set in the Next Generation era, aboard the U.S.S. Cerritos, a California-class vessel. The first shuttlecraft we see parked in its shuttle bay is the Joshua Tree, a naked play for my affection. The shuttle Yosemite gets more airtime in the early episodes.

I was delighted to dissect the show with Stephen Thompson, Glen Weldon, and Petra Mayer.

Boldly Gone: Free Thoughts on the Proceedings of Star Trek at 50, and Gene Roddenberry and fandom, for Rolling Stone

Leonard Nimoy's unflappable Mr. Spock communes with the Horta in "Devil in the Dark," from 1967. (CBS Consumer Products / Star Trek Archive)

I basically got into journalism because I wanted to write for Rolling Stone. That took longer to happen than I'd hoped it might, but it was a real thrill to get to do this piece for them yesterday, reflecting on What Star Trek Hath Wrought the occasion of the franchise's 50th anniversary.

Last night, the National Air and Space Museum showed "The Man Trap," the first Trek episode broadcast (albeit not the first one produced), at 8:30 p.m. Eastern — the same time NBC had shown it 50 years earlier. It's a really fun episode that demonstrates that the rich character relationships were present in the Original Series right from the beginning, and that most of the comedy in Trek was fully intentional. (Also that what was progressive in 1966 is decidedly not in 2016. But that's how progress works.)

Thanks to Scott Tobias for suggesting me for it, and to David Fear for editing the essay. 

Be Brief, I See into Thy End: Fear, reviewed.

Vince Eisenson, Matthew Alan Ward, Seamus Miller, and Amal Saade in Fear.

I had the good fortune to interview Star Trek's resident alien linguist Marc Okrand this week, for a video that'll posting next week as part of Air & Space / Smithsonian's coverage of Trek's 50th birthday. I met Marc through his involvement in DC theatre. After the shoot, we got some coffee and talked about—well, okay, yes, about his work on various Trek movies mostly, again, some more. But we also discussed how much we both enjoyed writer/director Kathleen Akerley's ambitious new play FEAR, which I review in this week's Washington City Paper.

For evidence of just how pear-shaped the genre of plays-about-playmaking can go, consider Jackie Sibbles Drury’s unaccountably popular We Are Proud to Present…, a story about a half-dozen actors working to “devise” a play about a historic tragedy of which they know nothing. Though it’s meant to look improvised, it’s fully scripted, and the it's the single worst play I’ve ever seen in my professional or biological life. Akerley's play needs a revision, but it ducks the self-absorption that makes Drury's so, so insufferable.

Free Enterprise: Star Trek Beyond, reviewed.

Zachary Quinto is all ears. (Kimberly French/Paramount)

Star Trek Beyond, the third Trek in the 50-year-old franchise's rebooted "Kelvin timeline," wants to be a Skyfall-style cocktail of tradition and modernity. I wish it were bolder, but it's energetic and fun. Here's my NPR review.

Hot Buzz: I interviewed Simon Pegg for Air & Space / Smithsonian

Sofia Boutella and Simon Pegg in Star Trek Beyond (Kimberly French/Paramount).

What a pleasure it was to speak with Simon Pegg, an actor and writer whose work I've long admired, for my day job with Air & Space / Smithsonian magazine. I've been overseeing a special section of our September issue commemorating the 50th anniversary of Star Trek, and I was especially keen to have Pegg — as the co-screenwriter of the new movie Star Trek Beyond, as well as one of its key cast members — be a part of our coverage. He was as enthusiastic and smart and funny as I'd dared hope. You can read the interview here, and my NPR review of Star Trek Beyond will be up Friday.

I wanted to discuss the blog post he wrote about George Takei, but our time was limited and I thought he'd already explained his position quite eloquently in prose. There was an obvious moment when we might've talked about how subsequent Trek movies might deal with the tragic death of Anton Yelchin last month, but I'll be honest: In the moment, I just didn't think to ask the question. Or about his role as Ogden Morrow in the film version of Ernest Cline's novel Ready Player One that Steven Spielberg just started shooting last month. He's a busy guy, this guy.