Use the form on the right to contact us.
You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.
123 Street Avenue, City Town, 99999
(123) 555-6789
email@address.com
You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.
search for me
Filtering by Tag: Taffety Punk
Hey, it's a play, sort of, where you pay for the privilege of doing this for half an hour. Nope nope nope nope.
My review of Toast, dog & pony dc's ambitious but unfocused -- and deeply annoying -- new performance-art-as-corporate-encounter-group piece is in today's Washington City Paper, available wherever finer alt-weeklies are given away for free. Also reviewed: Taffety Punk's very fine The Devil in His Own Words.
Erin White, Katie Murphy, Kimberly Gilbert, and Eleni Grove in Enter Ophelia, distracted. Photo by Teresa Castracane.
I reviewed the great Kimberly Gilbert's passion project Enter Ophelia, distracted, for the Washington City Paper this week.
Tonya Beckman, Dan Crane, Ian Armstrong, and Esther Williams in Bloody Poetry. (Teresa Castracane/Taffety Punk)
My review of Taffety Punk Theatre Company's "Rulebreaker Rep" -- Kathleen Cahill's Charm, about pioneering feminist Margaret Fuller, and Howard Brenton's Bloody Poetry, about free-loving romantics of the early 19th century -- is in today's Washington City Paper.
(Scott Suchman/Folger Theatre)
No, Elvis Costello has not embarked upon a mandolin tour with Steve Nieve. That's Louis Butelli as Feste, whose performance is one of the highlights of the Folger Theatre's new production of Twelfth Night, which I review in today's Washington City Paper along with Taffety Punk's spooky The Golem. Grab yourself a copy wherever finer alt-weeklies are given away for free.
