Call Me: The Telephonic Literary Union's "Human Resources," reviewed.
Chris Klimek
This is a panel from a David Mazzucchelli-drawn issue of Daredevil from the 80s, when phones were rotary and more suspenseful.
My first theater review—and The Telephonic Literary Union’s Human Resources is being presented by Woolly Mammoth Theater Company, its lack of resemblance to anything like a play notwithstanding—since I saw the Folger’s Merry Wives of Windsor back in January, when we all lived in another world and the population of the United States was more than 200,000 people larger than it is now, is in the Washington City Paper this week.
TL;DR: The show (or whatever it is) is an imperfect but worthy experiment in a form with a lot of possibility.