I'm a big fan of Andy Weir's debut novel The Martian. I was actually listening to the audiobook on the day in April when I visited NASA's Jet Propulsion Laboratory in Pasadena, where the book is partially set. (It's also set in space and on Mars.) I was out there doing some reporting for my day job wit Air & Space / Smithsonian, and it was in that capacity that I got on the phone this week with Matt Damon, who plays the story's protagonist, stranded astronaut Mark Watney, in Ridley Scott's film adaptation, due out Oct. 2. The film hasn't screened for critics yet, but the fact its release date was moved up by nearly two months suggests the studio is convinced it works.
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I've had the privilege of speaking with the great raconteur Henry Rollins a few times now. When I interviewed him in 2008
about his plan to play the Birchmere on Election Eve, we spoke in
September, several weeks before the show. He was predicting at that time
John McCain would be elected president. A few days
after our conversation, Lehman Brothers collapsed, the fiscal dominoes
started falling and the dynamic of the race changed dramatically.
Once again, Rollins will be speaking here in DC -- in
DC, where we don't have voting representation in Congress; not the "DC
area" this time, at the 9:30 Club -- the night before America chooses a
president. I'll be there. I was surprised to learn when we spoke the
other week that he hadn't heard of Mike Daisey.
The interview is on Washington City Paper Arts Desk today.
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Formed in Dallas in 1993, the alt-country act Old 97's combines the heart-tugging wordplay of Townes Van Zandt with the attack of The Clash.
After a couple of indie releases in the mid-'90s, the group was the
beneficiary of a bidding war, signing with Elektra Records. Their
major-label debut, 1997's Too Far to Care, remains their best
and best-loved album. Despite retaining a substantial following—Old
97's' show at the 9:30 Club tonight is sold out—the group never reached
the level of stardom its big label demanded. Since 2004, the band has
been recording for the New West label.
Old 97's' current tour supports a 15th anniversary reissue of Too Far to Care, which they're playing in its entirety in sequence, along with a selection of other songs. I spoke with singer-songwriter Rhett Miller
(whose career as a solo artist runs parallel to that of his band) by
phone about the quest for perfect setlist, the excesses of major-label
recording contracts, and the trouble with singing songs you wrote when
you were 25 when you're 42.
This interview appears today on the Washington City Paper's Arts Desk.
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