Triple Ex: "Magic Mike's Last Dance," reviewed.
Chris Klimek
Magic Mike’s Last Dance is the Ocean’s 13 of Magic Mike flicks. My Washington City Paper review of the new three-quel is here.
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Filtering by Tag: Channing Tatum
Magic Mike’s Last Dance is the Ocean’s 13 of Magic Mike flicks. My Washington City Paper review of the new three-quel is here.
Would you believe that John Denver's 1971 encomium to backwoods livin' "Take Me Home, Country Roads" is been featured in two 2017 films starring Katherine Waterston and two starring Channing Tatum, and not the same two?
That's the kind of piercing observation I had no room for in my review of the new sequel Kingsman: The Golden Circle, which reprises "Country Roads" from Alien: Covenant and Logan Lucky. I had the privilege of discussing both of those on Pop Culture Happy Hour in addition to writing about them. Anyway, I like British superspies. And I liked The Golden Circle. With reservations.
I dropped by NPR HQ to talk about Steven Soderbergh's return to features, Logan Lucky, with screenwriter and author Danielle Henderson and regular Pop Culture Happy Hour panelists Linda Holmes and Glen Weldon. When we recorded this discussion, I'd taken the opportunity to see the movie a second time after filing my review, and my opinion on it had evolved a little. Anyway, you can find the episode here.
I wish I could put my finger on why it read to me as condescending in a Coenesque way the first time but not the second. I love the films of Joel and Ethan Coen. But the ones Logan Lucky most recalled for me, Raising Arizona and Fargo, are not among my favorites.
Logan Lucky, Steven Soderbergh’s return to features after a four-year “retirement” in prestige TV, is a lot of fun, though I’m not as high on it as some. I have the same reservations about it that I do about the Coen Brothers films it most readily recalls. Anyway, here’s my review.
I'm very happy to be on the panel for this week's Hail, Caesar!-focused Pop Culture Happy Hour, my first with my Washington City Paper pal Bob Mondello. In it, Pal-for-Life Glen Weldon tells Bob he "beat [him] to the Hamlet punch," which is a funny phrase, if you think about it. Earlier in this episode, G-Weld beat me to the Sullivan's Travels punch, but here's the clip I was going to play.
This episode also has some thematic crossover with the Top Five Movies About Movies segment in which I participated on an episode of WBEZ's Filmspotting from late 2011. My NPR review of Hail, Caesar! — wherein I may have underserved the film's philosophical payload, unless I didn't — is here. This was an especially enjoyable episode for me; I hope you all dig it.
No one in the world can possibly appreciate the way the narrator of the new Coen Brothers picture, Sir Michael Gambon — the man who once declined the role of James Bond because, quoth he, "I've got tits like a woman" — says "in westerly Malibu" as much as I do. But just about everyone seems to like the movie. I do, too. My NPR review is here.
Sorry, you guys: Jupiter Ascending, the Wachowskis' latest sci-fi epic, is neither the trainwreck you want nor the home run you need. My review, for The Dissolve.