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Filtering by Tag: Jake Gyllenhaal

Pop Culture Happy Hour: "Spider-Man: Far From Home" and What's Making Us Happy

Chris Klimek

Tom Holland gets some enhanced security screening. (Sony)

Tom Holland gets some enhanced security screening. (Sony)

Host Linda Holmes is off promoting her already New York Times-bestselling debut novel Evvie Drake Starts Over this month, so Glen and Stephen handled the hosting chores on PCHH this episode, with Mallory Yu and me in chairs three and four to talk about Spider-Man: Far From Home, the eighth movie with the proper noun “Spider-Man” in the title since 2002. (For more important data analysis, see my NPR review of the movie.)

We recorded this episode first thing in the morning on one of the most heavily-scheduled days of my adult life. Fortunately, my energy peaked early that day, which is rare. I'm sure the wise and kind Jess Reedy was doing me a favor and protecting NPR when she sensibly excised my rant about how much money I lost on my first car, a Ford Taurus, when its engine exploded in the middle of the night and the beginning of a snowstorm as my brother and I were on our way to catch a plane to my grandpa's funeral. Attentive listeners will easily pick out where in the episode that would have gone were Jess not so good at her job.

I also shamelessly plugged my Washington Post piece from Tuesday about 1970’s Honor America Day and its soundtrack album, Proudly They Came… to Honor America.

Imperfect Organism: Life, reviewed.

Chris Klimek

Jake Gyllenhaal and Rebecca Ferguson are better than  Life . (Sony)

Jake Gyllenhaal and Rebecca Ferguson are better than Life. (Sony)

Life, the new anti-space-exploration space movie from Swedish director Daniel Espinosa and starring my beloved Rebecca "Ilsa Faust" Ferguson plus some other famous people, is no Gravity. Or Interstellar. Or The Martian. But it's aight. I reviewed it for NPR, and then, having finished reviewing Life, I recalled The Onion's lovely backhanded obituary for Roger Ebert from 2013.

Requiem for a Middleweight: Southpaw, reviewed.

Chris Klimek

Like Robert De Niro and Daniel Day-Lewis before him, Jake Gyllenhaal transformed his body to play a boxer.

Like Robert De Niro and Daniel Day-Lewis before him, Jake Gyllenhaal transformed his body to play a boxer.

Those who're skeptical of the doctrine of self-mastery through sweat probably won't find much to hold their interest in Southpaw, a boxing melodrama so old-fashioned it's almost new. But I dug it. If my NPR review contains slightly fewer cliches than the movie does, it's not because I took a dive.