Our Pop Culture Happy Hour dissection of Quentin Tarantino's ninth picture gave me the opportunity to be on a panel with Monica Castillo, a fellow Eugene O'Neill National Critics Institute fellow and someone with whom I'd not previously had the pleasure of speaking, though we have friends and colleagues in common. A fun episode. After some deliberation, we elected to avoid any in-depth discussion of the ending of the film.
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Host Linda Holmes is off promoting her already New York Times-bestselling debut novel Evvie Drake Starts Over this month, so Glen and Stephen handled the hosting chores on PCHH this episode, with Mallory Yu and me in chairs three and four to talk about Spider-Man: Far From Home, the eighth movie with the proper noun “Spider-Man” in the title since 2002. (For more important data analysis, see my NPR review of the movie.)
We recorded this episode first thing in the morning on one of the most heavily-scheduled days of my adult life. Fortunately, my energy peaked early that day, which is rare. I'm sure the wise and kind Jess Reedy was doing me a favor and protecting NPR when she sensibly excised my rant about how much money I lost on my first car, a Ford Taurus, when its engine exploded in the middle of the night and the beginning of a snowstorm as my brother and I were on our way to catch a plane to my grandpa's funeral. Attentive listeners will easily pick out where in the episode that would have gone were Jess not so good at her job.
I also shamelessly plugged my Washington Post piece from Tuesday about 1970’s Honor America Day and its soundtrack album, Proudly They Came… to Honor America.
What a treat to dissect the third and gnarliest John Wick with Linda and Glen and Aisha Harris.
While recommending Brian Raftery’s Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen, I happened to name one of my most be-loathed movies from that year, the Best Picture-winning American Beauty, while omitting the names of my most beloved: Rushmore, Three Kings, Eyes Wide Shut, and so on. Raftery did not include John McTiernan’s remake of The Thomas Crown Affair in his book about 1999’s most notable and groundbreaking movies, probably because a remake of a 30-year-old thriller isn’t groundbreaking, and the movie did not have a substantial cultural impact.
But it was was the last good movie McTiernan made, I’m sorry to say, and I saw it in the theater that summer along with Star Wars: Episode I — The Phantom Menace, Austin Powers: The Spy Who Shagged Me, Notting Hill, American Pie, The Sixth Sense, Mystery Men, and all the rest, and I have revisited it on several occasions since.
I had a nice time joining the Pop Culture Happy Hour crew this week to discuss Shazam!, a lighter, brighter DC Comics movie that is also… a nice time. Doubtless I got invited on this episode because of the profile I wrote for the Ventura County Reporter waaaaaay back in January 2003 of Shazam! star Zachary Levi, a Local Boy Made Good for whom God has opened many doors, such as co-starring with Bob Newhart and the modern rhythm-and-blues singer Sisqo ("The Thong Song," peak position No. 3 on the Billboard Hot 100). He admires men of integrity like Tom Hanks and Mel Gibson. The Year of Our Lord Two Thousand Three, friends.
Shazam! is the polar opposite of The Shield, the early-aughts post-Sopranos, pre-Breaking Bad cop show I’m currently revisiting, which is what’s making me happy this week and shall be for many weeks to come, because I bought the big doorstop blu-ray set with all 88 episodes.
It had been too long since I got to appear on a PCHH panel with the great Gene Demby from Code Switch, so I was very happy to find myself sitting beside him for this episode dissecting Creed II, which frustrated each of us in different ways. You can hear the episode below; my review of the movie is here.
We had to do a Pop Culture Happy Hour discussion of Die Hard because it’s holiday time and because the beloved classic turned 30, uh, back in July and because we just had to. I thought I was being punk’d when I got the invitation but I’m so glad it was real. This was the awkward Christmas Eve holiday party/attempted spousal reconciliation I’ve been waiting to be invited to since I was 11 years old. Yippie kai yay, podcast lovers. (My punishingly long Die Hard Dossier is here.)
I had a lovely time dissecting the laughably derivative, greenscreeny pleasures of Skyscraper with Pop Culture Happy Hour hosts Linda Holmes and Stephen Thompson and fellow friend-of-the-show Margaret H. Willison. This movie wants to be Die Hard, and it isn't even as good as Johnson's own Central Intelligence or Rampage. It's maybe on par with San Andreas.
I get a plug in during the What's Making Us Happy segment for Daveed Diggs and Rafael Casal's Blindspotting, one of the two or three strongest movies I've seen this year. Buy a ticket to Blindspotting and watch Skyscraper on a flight or something.
Notes on Dinosaur Camp: Jurassic World: Fallen Kingdom, reviewed and discussed on Pop Culture Happy Hour.
Here's my review of Jurassic World: Fallen Kingdom. And below you can hear Linda Holmes, Stephen Thompson, and Glen Weldon discuss the movie and its place in the Jurassic-iad with me in the fourth chair. I regret that it never occurred to me to refer to this film as Jurassic 5 even though "Sum of Us" is an all-timer shadowboxing jam. I also regret that none of us, not even Thompson, thought to mention the moment in Jurassic 5 when it seems like Ted Levine from The Silence of the Lambs is about to start singing "See My Vest." You'll know the one I mean.