Ed McBain, Akiria Kurosawa, and Spike: "Highest 2 Lowest," reviewed.

The great Jeffrey Wright in Highest 2 Lowest. (Apple/A24)

My Washington City Paper review of Highest 2 Lowest, Spike Lee’s loose present-day adaptation of the 1959 Ed McBain novel King’s Ransom, which was previously the basis for Akira Kursoawa’s 1963 High and Low, is here.

Pop Culture Happy Hour: "American Utopia"

David Byrne and Spike Lee collaborated on a superb concert film of Byrne’s Broadway show American Utopia. (David Lee)

Unless I’m forgetting something the only band Pal-For-Life Glen Weldon and I have ever gone to see together was The Magnetic Fields a decade ago. Glen has declined invitations from me to performances by many other bands. Had we known one another in 2008, and had I known of his yen for Talking Heads, I certainly would’ve asked him to accompany me to Baltimore that September for the second night of ex-Heads frontman David Byrne’s tour promoting Everything That Happens Will Happen Today, his then-new album with longtime collaborator Brian Eno.

I wrote a brief review of that show for the Washington Post and then saw that tour two more times over the next year or so, at Wolf Trap and I at, I think, the Warner Theater. I loved the tour, devoted to Everything That Happens and the several other Byrne/Talking Heads albums on which Eno was a producer and/or a co-writer and performer. But I was frustrated, as I assume Byrne must have been, at the disparity in the audience’s reception of the superb new songs and the Heads classics: polite deference and ecstatic exuberance, respectively.

That’s a dynamic that repeats itself in American Utopia, Spike Lee’s superb concert film of Byrne’s latest show, which toured for a while before setting into a Broadway engagement at the Hudson Theater where Spike captured it last February, just before the Covid crisis struck NYC. Again Byrne has a strong album of recent material to work from, though only a quarter of American Utopia-the-show’s 20 songs come from Byrne’s 2018 album American Utopia. The rest are, with one unforgettable exception, mined from his 40-year catalog. I’m sure his fellow ex-Heads Chris Frantz, Tina Weymouth, and Jerry Harrison must think that by securing an audience for his new work by continuing to perform the most beloved material by a band that hasn’t toured since 1984, Byrne is having his cake and eating it, too. (Frantz says Byrne didn’t even invite him to see American Utopia during its Broadway run.)

I was honored to discuss most of this on a Pop Culture Happy Hour episode hosted by Glen and featuring the great Soraya Nadia McDonald, who blushed when I congratulated her on being a finalist for the Pulitzer Prize this year. If I ever get that close to a Pulitzer, I won’t be nearly so gracious about it.