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Filtering by Tag: Washington Stage Guild

The Hard Sells: Back to Methuselah, Part 2 and Kid Victory, reviewed.

Chris Klimek

Jake Winn and Jeffry Denman are prey & predator in Kid Victory (Margot Schulman/Signature).

Jake Winn and Jeffry Denman are prey & predator in Kid Victory (Margot Schulman/Signature).

In today's snow-day edition of the Washington City Paper, I review the second installment in Washington Stage Guild's three-part, three-year presentation of George Bernard Shaw's Back to Methuselah and of the world-premiere John Kander-Greg Pierce musical Kid Victory. Around Town videos wherein Robert Aubry Davis, Jane Horwitz, the gigantic lapels of my shirt, and I dissect these differently taxing shows are here and here.

Do You Want to Blow a Secret? Washington Stage Guild's In Praise of Love and Studio Theatre's Choir Boy, reviewed.

Chris Klimek

My reviews of Washington Stage Guild's sturdy revival of Terence Rattigan's In Praise of Love and Studio Theatre's gospel song-inflected production of Tarell Alvin McCraney's Choir Boy are in this week's Washington City Paper. Go find a copy; they're free! Or read them here.

On Around Town, talking In Praise of Love and Diner

Chris Klimek

New year! Lightly refurbished attitude! Same old trouble smiling when announced and speaking in complete sentences!I am always happy to be invited to join host Robert Aubry Davis and Washington Post arts writer Jane Horwitz to talk theatre on WETA's Around Town.


In these two mini-sodes, when share our impressions of Washington Stage Guild's revival of Terence Rattigan's In Praise of Love (for more words, see my Washington City Paper review here) and Signature Theatre's new musical version of Barry Levinson's classic 1982 film Diner, featuring songs by Sheryl Crow.

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Painted by Association: The Old Masters, reviewed.

Chris Klimek

The Adoration of the Shepherds, now attributed to the Renaissance master Giorgione, hangs in the National Gallery of Art.

The Adoration of the Shepherds, now attributed to the Renaissance master Giorgione, hangs in the National Gallery of Art.

The authorship of this painting is the ostensible subject of The Old Masters, one of Simon Gray's final plays. My review of Washington Stage Guild's production is in today's Washington City Paper.

The Scarlet A(s): Inventing Van Gogh and The Argument, reviewed.

Chris Klimek

Lawrence Remond & Ryan Tumulty in Inventing Van Gogh. (C. Stanley Photography)

Lawrence Remond & Ryan Tumulty in Inventing Van Gogh. (C. Stanley Photography)

In today's Washington City Paper, I review two shows I mostly liked: Washington Stage Guild's Inventing Van Gogh and Theater J's The Argument.

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